Never Does a Body Wrong

Gloomy weather today in San Jose. Another rainy December bringing Christmas a bit closer. It makes me want to play something either very ballad-esque or something snappy. Jazz in general is very good, but Bebop never does a body wrong. I'll go for Ornette Coleman (Shape of Jazz to Come) or something else a little on the Avante-garde side to blow the grey away--give me some hard bop, Modern Jazz, Avante-garde--styles of jazz. I'm still working on distinguishing some of the stuff. Rather than looking at something on the everyday side, let's look at holiday stuff to bring in the season. A favorite again, for me, this year has been Diana Krall's Christmas Songs CD. Although a close second was brought into the house this year: Harry Connick, Jr.'s Harry for The Holidays. He's actually a great composer and lights a fire unders some old favorites.

Man Bites Dog or I Found a Tuba

Sonofagun. I found a tuba playing...bebop. Max Roach's You Stepped Out of A Dream on his Deeds, Not Words Album. Unbelievable. I wasn't paying attention and caught myself thinking that I heard a tuba...playing something other than the normal umpah pah pah. Not bad, actually. I love Max Roach. He's one hip drummer and working with Clifford Brown on so many of his albums was no mistake. If you haven't heard a tuba play jazz, you gotta check this out.

Center Stage

It's a toss up, really, trying to determine what makes the best instrument for jazz. Some days it seems like the tenor sax, others a trumpet, or better yet the guitar. Never the flute or trombone, sorry. I've seen on some album that there was a tuba in the band, but that seems almost ridiculous. And then there are days when one musician will really sound fantastic. It's totally possible to wake up and think Hank Mobley is premiere only to end the day with Kenny Burrell taking center stage. I try to get at least 15 hours of jazz listening in a day, so the list of musicians I run through is exhaustive. I have the world of jazz at my fingertips with Yahoo's Juke Box.

This morning's top musician's: Joshua Redman, Ornette Coleman, Thelonious Monk

Nat, not Cannonball

I came across Nat Adderley's album Work Song at the Santa Clara Public Library today when I was supposed to be studying corporate finance. I did manage to hold onto the CD, get my homework completed and return home before popping it into my laptop for a listen. I have to say that I'm pleasantly suprised. Great assists from some of his friends: Wes Montgomery (guitar), Boby Timmons (piano), Sam Jones (bass) and Louis Hayes (drums). I really dig the early '60's stuff. This album was recorded in 1960 in New York. I haven't come across much that I don't like when Wes steps in and lends a hand on his guitar. What a sweet sounding addition. This gig is fairly unique in that the band is fronted by a coronet, guitar and a bass (sometimes a cello). Maybe I'm missing something but I don't hear a coronet much in the jazz I'm listening to most. The only other coronet player I'm familiar with is Don Cherry and I think he played something called a pocket trumpet. Speaking of which, I've heard some great stuff from Cherry and I love his improv. Who'd a thunk he would have a son called Eagle-Eye?